Art history tricks that make key artists stick

Pietà (1499): Mary holds dead Christ — impossibly youthful Mary (Michelangelo's response to criticism: purity = beauty). David (1501–04): 5.17 m marble, shown before battle (tense expectation, not triumphant — contrast to Donatello's version). Sistine Chapel ceiling (1508–12): 300 figures, 9 central scenes from Genesis — painted on back, not lying down. Last Judgment (altar wall, 1536–41): Charon's bark, controversial nudity (later covered by 'braghettonists'). Also architect: dome of St. Peter's Basilica (not completed in his lifetime). Considered himself primarily a sculptor — reluctantly painted Sistine.

Blue Period (1901–04): poverty, isolation, blue palette (El Viejo Guitarrista). Rose Period (1904–06): circus, warmer tones. African art encounter: influenced Les Demoiselles d'Avignon (1907) — fractured faces, proto-Cubism. Cubism: with Braque 1907–1914. Guernica (1937): response to Nazi bombing of Basque town — monochrome, anguished figures, most powerful anti-war painting. Stage designs for Ballets Russes. Ceramics late career. Weeping Women series (Dora Maar). Prolific: ~20,000 works. Controversial legacy: autobiographical violence toward women.

Polio at 6 (right leg withered). Bus accident at 18: shattered pelvis, spinal fractures → 35+ surgeries, chronic pain. Self-portraits: 55 of 143 total works — explored identity, pain, Mexican culture. The Two Fridas (1939): two self-portraits — European (rejected) and Mexican (embraced) heritage. Marriage to muralist Diego Rivera (twice). Relationship to Surrealism: Breton called her Surrealist; she rejected label — 'I never painted dreams. I painted my own reality.' Late career: Communist Party, political art. Posthumous cult: became global feminist and Mexican cultural symbol.

Amsterdam master. Chiaroscuro: dramatic contrast of light/shadow (from Caravaggio). The Night Watch (1642): largest commission, militia company — revolutionary for movement and scale (6 × 5 m). Anatomical lessons: The Anatomy Lesson of Dr. Nicolaes Tulp (1632). 90+ self-portraits across 40 years — unique record of aging, shifting self-perception. Etchings: 300+ prints — pioneered etching techniques. Late style: looser, impastoed paint, more spiritual than precise. Financial ruin (bankruptcy 1656). Jan Lievens: early colleague. Pupils: Gerard Dou, Ferdinand Bol, Carel Fabritius.

Tenebrism: extreme version of chiaroscuro — figures emerge from near-total darkness (even darker than Rembrandt). Revolutionary: used street people, servants, prostitutes as models for saints — shocked patrons. Calling of Saint Matthew (1600): tax collector bathed in diagonal light shaft. Conversion of Saul (1601): horse's backside prominent, saint fallen in dust. The Death of the Virgin (1606): model possibly a drowned prostitute — rejected by patrons. Fled Rome 1606 after killing a man in brawl (tavern fight over tennis score). Naples, Malta, Sicily. Died 1610 (fever, possibly murdered). Enormous influence: Caravagisti across Europe.

Dutch pastor's son. Dark early work (The Potato Eaters). Paris: Impressionism, Japanese prints. Arles (1888): intense productivity — Sunflowers, Night Café, Bedroom. Gauguin visit: argument, Van Gogh cut off part of own ear (December 1888). Saint-Paul-de-Mausole asylum: Starry Night (1889) — swirling night sky, cypresses. Auvers-sur-Oise: Wheatfields series, Doctor Gachet. Died July 1890 (gunshot — suicide or accidental?). Only sold one painting in his lifetime (The Red Vineyard). Letters to brother Theo: extraordinary record of artistic development. 900 paintings, 1,100 drawings in ~10 years.

Impression, Sunrise (1872): gave movement its name (critic's insult). Serial painting: same subject at different times/light — Haystacks (25 paintings), Rouen Cathedral (30), Poplars. Giverny garden: designed his own subject — Japanese bridge, water garden, weeping willows. Water Lilies: 250 paintings, final large-scale panels (Orangerie, Paris) — 8 panels in oval rooms, immersive. Eye disease (cataracts): late work increasingly abstract, orange-dominant. Influenced Abstract Expressionism (Pollock, de Kooning saw Orangerie in Paris). En plein air: painting outdoors, not from sketches.

Delft, Netherlands. Only ~34–36 confirmed paintings (very small oeuvre). Subjects: domestic interiors, women engaged in household tasks, maps on walls, open windows. Girl with a Pearl Earring (1665): 'The Dutch Mona Lisa' — not actually a portrait, a tronie (character study). The Milkmaid. The Art of Painting: Vermeer's own studio, allegory of fame. Light: always from left-facing window, diffused, pearl-like quality. Camera obscura hypothesis (Hockney-Falco thesis): may have used optical device to trace — debated. Died in debt 1675. Rediscovered in 19th century by critic Thoré-Bürger.

Nude Descending a Staircase (1912): multiple exposure photography influence, Cubism — scandal at Armory Show 1913. Readymades: mass-produced objects selected and designated as art — Bicycle Wheel (1913), Bottle Rack, Fountain (urinal, 1917). The Large Glass (The Bride Stripped Bare by Her Bachelors, Even): 1915–1923, cracked in transport (accepted the accident). L.H.O.O.Q. (Mona Lisa with mustache, 1919). Gave up art for chess seriously (~1923). Rrose Sélavy: female alter-ego, puns, wordplay. Influence: Dada, Conceptual art, Pop art, everything questioning 'what is art?'

First woman admitted to Accademia del Disegno (Florence, 1616). Raped by tutor Agostino Tassi at 17 — trial testimony survives. Judith Slaying Holofernes (multiple versions): visceral power — feminist readings see autobiographical revenge. Strong, active heroines: Susanna and the Elders, Mary Magdalene, Lucretia. Caravagesque: tenebrism, dramatic light. Worked in Florence, Rome, Naples, London (court of Charles I). Rediscovered in feminist art history (1970s Linda Nochlin essay 'Why Have There Been No Great Women Artists?'). Now recognized as major Baroque figure, not footnote.

Studied with Thomas Hart Benton. Jungian analysis → unconscious imagery. By 1947: drip technique — canvas on floor, moved around, poured/dripped/flung paint. 'Action painting' (Harold Rosenberg): the act of painting = the subject. All-over composition: no hierarchy of figure/ground. No. 5, 1948: drip painting. Lavender Mist. Blue Poles. Photographed by Hans Namuth: iconic images of process-as-art. Died 1956 drunk driving (took two passengers with him). Lee Krasner (wife): also major AbEx artist, overshadowed in his lifetime. Abstract Expressionism established New York as world art capital.